Wednesday, October 28, 2009

Getting to “The Root” of the Digital Divide

Those who know me well are VERY aware of my somewhat shameless enthusiasm about blog culture. So, when my favorite blog The Root (yes, I visit it daily), featured my book Black Feminist Politics from Kennedy to Clinton, I was thrilled.

You know The Root, right? Editor in chief the now infamous Harvard Professor Henry Louis Gates, the online magazine launched by the Washington Post Company no-less, focusing on the many facets of black culture. Are you excited now?

<imagine crickets chirping>

Haven’t heard of The Root? Apparently most of my colleagues in Minnesota haven’t either, at least to judge from the politely blank stares I received after sharing my news. Which made me wonder – is cyberspace bridging our cultural divides, or adding more space to them?

Over the past year I’ve delved deeply into cyberspace with the launch of a website, blog, Facebook group and even Twitter account. What I’ve found is that cyberspace, like “reality space” is divided by class, race, gender, and other disparities.

This is not what the marketing industry has sold us (you know the commercials –Tibetan monks with laptops, poor children in India with eyes aglow from their computer screens). We’ve been told that technology spells the 'end of geography' and promises universal, democratic entree to the electronic highways of the world economy and community.

In 2008 The Washington Post Company bought into that vision, hoping that The Root, despite its theme, would expand its online audience. If predominately white Minnesota is a litmus test, it hasn’t worked.

Flash forward to 2009, and you’ll find the Internet creates and reflects a distinct spatial structure interlaced with, and often reinforcing, existing separate spheres. Two weeks ago, CNN.Com/technology published a piece entitled, “Does your social class determine your online social network?

A recent study by market research firm Nielsen Claritas found that people in more affluent demographics are 25 percent more likely to be found “friending” on Facebook, while the less affluent are 37 percent more likely to connect on MySpace.

More specifically, almost 23 percent of Facebook users earn more than $100,000 a year, compared to slightly more than 16 percent of MySpace users. On the other end of the spectrum, 37 percent of MySpace members earn less than $50,000 annually, compared with about 28 percent of Facebook users.

MySpace users tend to be "in middle-class, blue-collar neighborhoods," said Mike Mancini, vice president of data product management for Nielsen, which used an online panel of more than 200,000 social media users in the United States in August. "They're on their way up, or perhaps not college educated."

By contrast, Mancini said, "Facebook [use] goes off the charts in the upscale suburbs," driven by a demographic that for Nielsen is represented by white or Asian married couples between the ages of 45-64 with kids and high levels of education.

Even more affluent are users of Twitter, the micro-blogging site, and LinkedIn, a networking site geared to white-collar professionals. Almost 38 percent of LinkedIn users earn more than $100,000 a year.

So who are we friending and linking with anyway? Are we just expanding our comfort zones of race/class folks, reinforcing our own ideas with people who think like us? How can we use this opportunity of “The Information Age” to actually, well, connect to different people?

I plead guilty to staying in my own circumference of the black academic life blogosphere, but I want to change that. I’m recommending The Root to my fellow Minnesotans – what blogs do you all think I should visit? Let’s swap our daily blog habits for a week –and then I’ll report back on what we find out about each other.

Who knows, maybe bridging the digital divide begins with us?

Friday, October 2, 2009

AMERICAN GIRL RESPONDS

Just when I thought my fan club had a limited membership, I opened my e-mail and found a letter from the American Girl Company.

Before I read their letter I just knew it was an apology. The perspective of a Minnesotan who lives in a town of 13,000 had shown them the error of their ways. Instead I read:

Dear Prof. Harris,

Since I know you’ve been following the American Girl issue I wanted to pass along an updated statement from the company and their partner HomeAid on the matter.

Thanks,

Heather Wilson
For American Girl
American Girl Statement

Since its inception in 1986, American Girl's historical and contemporary books have addressed a wide range of important social issues that have had a significant impact on the lives of girls and women. The contemporary 2009 Girl of the Year line, of which Gwen is a part, specifically addresses the issue of relational aggression or bullying, which has become a growing concern for girls and their parents today.

While our outreach in support of the line will continue to focus on preventing peer aggression, we are pleased to continue our ongoing partnership with HomeAid America and its mission to support the temporarily homeless. We will do so through a variety of fundraising initiatives, such as our ongoing commitment to Project Playhouse™, special fundraising events at American Girl retail stores, as well as direct grants.

HomeAid America Statement

HomeAid America, a leading national nonprofit provider of housing for today's homeless, is proud of its ongoing partnership with American Girl. Since 2006, we have worked with American Girl on HomeAid's Project Playhouse™, an annual key fundraising event that raises money and awareness for the organization's shelter development program.

As one of our signature partners, American Girl has demonstrated a high-level of commitment and passion to help us with our mission to build dignified housing where homeless families and individuals can rebuild their lives. We are pleased to continue our relationship with American Girl and look forward to our next fundraising project with them.

Jeffrey A. Slavin

CEO

HomeAid America, Inc.

**************

So, do American Girl and HomeAid America make compelling arguments, or is Project Playhouse,™ a band aid on a scar called Gwen, that isn’t healing homelessness?